
COMMON-TIME BEAT EMPHASIS
STRONG – WEAK – ACCENT – WEAK
In Common-Time, the first beat gets the main beat emphasis.

Beat 3, gets a secondary beat accent, which is not as strong as the down-beat, but stronger than beats 2 and 4.
Most conducting patterns have variations on the shapes that are gestured, which serves to convey beat-patterns. It is standard to convey the rhythm with the right arm.
Common-Time is most often conducted:
DOWN – IN – OUT – UP

- BEAT 1 DOWN = Towards The Floor
- BEAT 2 IN = Towards Your Body (to the left)
- BEAT 3 OUT = Away From Your Body (to the right)
- BEAT 4 UP = Towards The Ceiling

Meet Cal Universal Language Rhythm Notation Music Staff Origins of the Staff
Rhythm Laboratory Notation Parts Note Heads Stems Beams Flags Note Construction
Common-Time Measures Bar-Lines Counting in Common-Time Whole, Half and Quarter Notes
Ties Dots Time-Signatures Q’s Rhythm Review Time-Signature Rules Beat Accent
Down-Beat and Up-Beat Conducting Patterns Cut-Time Common-Time Beat Emphasis
Three-Beat Measures Note Values Rhythm Workouts The ‘Cycle’ Note Equivalents
Counting Sub-Divisions “If You Can Say It, You Can Play It” Author’s Story Sub-Division Lingo
Quarter Notes with Eight Notes Adding Sixteenth Notes Notes Sharing Beams Beam Awareness Pointers
Triplets Triplet Workout Compound-Time Compound-Time Workout Music Rests
Rest and Note Equivalents Whole Rest Half Rest Quarter Rest Eighth Rest Sixteenth Rest
Dotted Rests Q’s Rest Review Process of Sub-Division Relating Rests to Notes Rhythm Exam Prep
Rhythm Laboratory Notation Parts Note Heads Stems Beams Flags Note Construction
Common-Time Measures Bar-Lines Counting in Common-Time Whole, Half and Quarter Notes
Ties Dots Time-Signatures Q’s Rhythm Review Time-Signature Rules Beat Accent
Down-Beat and Up-Beat Conducting Patterns Cut-Time Common-Time Beat Emphasis
Three-Beat Measures Note Values Rhythm Workouts The ‘Cycle’ Note Equivalents
Counting Sub-Divisions “If You Can Say It, You Can Play It” Author’s Story Sub-Division Lingo
Quarter Notes with Eight Notes Adding Sixteenth Notes Notes Sharing Beams Beam Awareness Pointers
Triplets Triplet Workout Compound-Time Compound-Time Workout Music Rests
Rest and Note Equivalents Whole Rest Half Rest Quarter Rest Eighth Rest Sixteenth Rest
Dotted Rests Q’s Rest Review Process of Sub-Division Relating Rests to Notes Rhythm Exam Prep