Dynamic March — Variation #1
Linked Bowings
Music composed in the march-style, often include lively and repetitive rhythmic patterns.
Combining dotted-eighth notes and sixteenth notes, create bouncy and march-style rhythm patterns.
Although this combined rhythm pattern may be performed by alternating bow stroke directions, traditionally the pattern is linked together in the same direction, one bow direction per beat.
Linking notes together, cause the changes in bow direction to line up with each beat, which increases beat emphasis and ensemble clarity.
LINKED BOWING EXERCISE
Perform the rhythm below on all strings.
It is tradition, to stop the bow slightly, before each 16th note.
When learning rhythm, you learned vertical-line notation.
Slashes show the beginning of each beat, at a glance.
Perform the rhythm below on all strings.
It is tradition, to stop the bow slightly, before each 16th note.
When learning rhythm, you learned vertical-line notation.
Slashes show the beginning of each beat, at a glance.
Musicians write bowing symbols in the music, visually highlighting the beats and bow directions.
When performing Dynamic March Variation #1, sub-divide and link the bow clearly.
D Major Home Instrument Tapes Finger Mechanics Finger Numbering Finger Dexterity Finger Position
Finger Intensity Hand Position Principles Hand Position Rhymes Space at the Base Swell the Well Swing the Wing
Hand Position Set-Up Violin Notes on D Viola Notes on D Cello Notes on D Bass Notes on D Violin Notes on A
Viola Notes on A Cello Notes on A Meet Guide Bass Notes on G D Major Training Exercises The Lower-Tetrachord
The Major Second The Major Third The Perfect Fourth The Upper-Tetrachord The Perfect Fifth The Major Sixth
The Major Seventh The Perfect Octave The Complete D Major Scale Left Thumb Logic Left Thumb Flexible Location
Knuckle Leverage D Major Etudes Arpeggio Patterns D Major Mastery Checkpoint Extending the Instrument’s Range
Finger Location Terms Violin Notes on G Viola Notes on G Cello Notes on G Bass Notes on E Bass Notes on A
Viola Notes on C Cello Notes on C Violin Notes on E Third Position Principles Violin Third Position on E
Third Position Measurement Differences D Major Harmony Interval Categories Orchestra Harmony in D Major
Preparing for Orchestra Pieces Divisi Protocol Orchestra Chord Textures Ensemble Engine Technique Building
Practice Coins Violin Technique Builder Viola Technique Builder Cello Technique Builder Bass Technique Builder
Dynamic March Theme and Variations Bowing Dynamics Dynamic March Performance Details Linked Bowing Exercise
Off-Beats Exercise Neighbor Notes Complete Dynamic March Composition Score and Parts
Finger Intensity Hand Position Principles Hand Position Rhymes Space at the Base Swell the Well Swing the Wing
Hand Position Set-Up Violin Notes on D Viola Notes on D Cello Notes on D Bass Notes on D Violin Notes on A
Viola Notes on A Cello Notes on A Meet Guide Bass Notes on G D Major Training Exercises The Lower-Tetrachord
The Major Second The Major Third The Perfect Fourth The Upper-Tetrachord The Perfect Fifth The Major Sixth
The Major Seventh The Perfect Octave The Complete D Major Scale Left Thumb Logic Left Thumb Flexible Location
Knuckle Leverage D Major Etudes Arpeggio Patterns D Major Mastery Checkpoint Extending the Instrument’s Range
Finger Location Terms Violin Notes on G Viola Notes on G Cello Notes on G Bass Notes on E Bass Notes on A
Viola Notes on C Cello Notes on C Violin Notes on E Third Position Principles Violin Third Position on E
Third Position Measurement Differences D Major Harmony Interval Categories Orchestra Harmony in D Major
Preparing for Orchestra Pieces Divisi Protocol Orchestra Chord Textures Ensemble Engine Technique Building
Practice Coins Violin Technique Builder Viola Technique Builder Cello Technique Builder Bass Technique Builder
Dynamic March Theme and Variations Bowing Dynamics Dynamic March Performance Details Linked Bowing Exercise
Off-Beats Exercise Neighbor Notes Complete Dynamic March Composition Score and Parts