PROFESSIONAL POINTERS – BEAM AWARENESS
It is extremely helpful to visually locate the first note that begins a beam. Most often, this first note unit of beamed-notes coincides with the inception of a beat. Lining up these first notes make beat patterns “land correctly” within the flow of the beat in a measure.
Once you recognize the main beam, scan the beamed-note unit in order to locate a second beam. Paired sixteenth notes will either begin on the beginning of a beat or the second half of a beat, (the + of a beat).
When two sixteenths are beamed together (within a beat unit) they equal either, the 1st eighth note of the beat or the 2nd eighth note of the beat. Study the following set of measures before performing them.
Listen to example
Since you are now experienced with beams, this is the perfect time to learn how beats can be equally divided into 3 parts.
Meet Cal Universal Language Rhythm Notation Music Staff Origins of the Staff
Rhythm Laboratory Notation Parts Note Heads Stems Beams Flags Note Construction
Common-Time Measures Bar-Lines Counting in Common-Time Whole, Half and Quarter Notes
Ties Dots Time-Signatures Q’s Rhythm Review Time-Signature Rules Beat Accent
Down-Beat and Up-Beat Conducting Patterns Cut-Time Common-Time Beat Emphasis
Three-Beat Measures Note Values Rhythm Workouts The ‘Cycle’ Note Equivalents
Counting Sub-Divisions “If You Can Say It, You Can Play It” Author’s Story Sub-Division Lingo
Quarter Notes with Eight Notes Adding Sixteenth Notes Notes Sharing Beams Beam Awareness Pointers
Triplets Triplet Workout Compound-Time Compound-Time Workout Music Rests
Rest and Note Equivalents Whole Rest Half Rest Quarter Rest Eighth Rest Sixteenth Rest
Dotted Rests Q’s Rest Review Process of Sub-Division Relating Rests to Notes Rhythm Exam Prep
Level 1 Rhythm Exam Level 2 Rhythm Exam Level 3 Rhythm Exam
Rhythm Laboratory Notation Parts Note Heads Stems Beams Flags Note Construction
Common-Time Measures Bar-Lines Counting in Common-Time Whole, Half and Quarter Notes
Ties Dots Time-Signatures Q’s Rhythm Review Time-Signature Rules Beat Accent
Down-Beat and Up-Beat Conducting Patterns Cut-Time Common-Time Beat Emphasis
Three-Beat Measures Note Values Rhythm Workouts The ‘Cycle’ Note Equivalents
Counting Sub-Divisions “If You Can Say It, You Can Play It” Author’s Story Sub-Division Lingo
Quarter Notes with Eight Notes Adding Sixteenth Notes Notes Sharing Beams Beam Awareness Pointers
Triplets Triplet Workout Compound-Time Compound-Time Workout Music Rests
Rest and Note Equivalents Whole Rest Half Rest Quarter Rest Eighth Rest Sixteenth Rest
Dotted Rests Q’s Rest Review Process of Sub-Division Relating Rests to Notes Rhythm Exam Prep
Level 1 Rhythm Exam Level 2 Rhythm Exam Level 3 Rhythm Exam