BOWING WORLDS54

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Moving the Bow
Now you know how to find the Bow Contact-Point at different Bow-Segments.
The Bow-Arm forms many shapes, so it seemed logical to ask ARC and ANGLE to lead the team and teach everyone the details.
For now, I am on my way to meet SCROLL in the computer lab in order to compose your bowing exercises. Today, there is some really fantastic music software available, which make music creation quite efficient.
Just imagine if great composers like Bach and Mozart had the technology we use today, back in their day.
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I’m looking forward to Q’s Bowing Exercises. Presently, Q will compose music to be played on the Open Strings. With Scroll at Q’s side, these bowing exercises promise to be fun and challenging.
The goal is for everyone to gain exceptional bowing skill on all of the strings at all bow segments, parallel to the bridge and with focused bow hair contact.
Learning the shapes formed when bowing, helps you to master the art of drawing the bow.
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Always play with the proper arm height, one that supports the string that you are playing at the time. Remember to feel as if your bow-arm is floating to position.
Once you master the skills of your bow-arm in action, increased control over your bowing performance is the result. With practice, you can polish your sound production and create exceptional tonal sound paintings. Always listen to your sound.
Great News! Q and Scroll have completed composing the Bowing Exercises.
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They probably would have composed even greater amounts of fine music and avoided writer’s cramp. Suddenly, I feel quite inspired. Bowing exercises await! Take it away, guys.
Producing a rich string tone is cool!
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Introducing the Bow     Parts of the Bow     The Stick     Horse-Hair     The Tip     The Frog     The Winding     How the Bow Works 
 
 Rosin     Preparing to Hold the Bow     Stick Training Exercises     Bowing Terminology     Down-Bow     Up-Bow     

Bow-Hand Set-Up    Finger Tasks and Functions     The Thumb     Meet ARC     Finger Segments     The Index-Finger   
 
Bow-Hand Pronation      The Center-Finger and Ring-Finger     Bow-Hand Fulcrum     Ring-Finger Propulsion     Bass Bows 
 
 Pinky Bow-Tasks     ‘Casting’ the Bow-Hand    Bow-Wrist Tasks    Rotational Inertia    Arco    Clay Smile Exercise    Meet ANGLE 

The Bow-Arm Box     The Shoulder Arc     Bow Contact-Point     String Lanes     Bow-Segment Mastery     Bowing Exercises 

Finding the Bow Contact-Point     “Painting With Sound”     Bowing Exercises Menu     Bow Taps     Bowing Traditions 

Perform Down-Bows     Perform Up-Bows     The Art of the Bow-Change     Articulations     Staccato     Legato 

Mastery Checkpoint One     Building Bow Control     Bow Speed and Bow-Arm Motion     Bow Planning and Distribution

Slow Moving Bow Strokes     Individual Bow Segments     Traveling the Bow     Bowing Dynamics     Mastery Checkpoint Two 

Advanced Techniques     Slurs and Articulations     Slur Training     Locating the Bow’s Balance Point     Ricochet and Spiccato 

Exploring Ricochet     Ricochet Control     Spiccato Training     Spiccato Control     Spiccato Brush Strokes 

Multiple String Crossings     Virtuosic Bow Strokes     Arpeggio Bowing     “Flying” Staccato     Mastery Checkpoint Three 

SCROLL’s List of Bow Strokes