Finger Location Details
All pitches introduced thus far, have been located at locations designated by instrument-tapes. Alteration in fingertip location on the string, allows for the creation of all 12 half-step pitches that exist within the scale.
It is important to know that the names of pitches always overrule the finger number.
Bass players have experienced this first hand, when learning to shift when reaching the top of the 1 octave D Major scale. (For example: 4 on G created B in first position and 4 on G created D in Third position.)
Finger Location Terms
Raise the note location by a half-step
Lower the note location by a half-step
Open Hand-position to raise the note location
Indicates to be played in specific position
Remain in the current position
In addition, Roman numerals are utilized and can be a bit confusing at times. IV (4) can mean Fourth position.
IV in another context is an indication to perform the passage all on the fourth string.
(For example: IV = Sul G = Violins perform on G)
Always consider the technical requirements of each musical passage.
Focus on performing all target finger locations accurately and in tune!
D Major Home Instrument Tapes Finger Mechanics Finger Numbering Finger Dexterity Finger Position
Finger Intensity Hand Position Principles Hand Position Rhymes Space at the Base Swell the Well Swing the Wing
Hand Position Set-Up Violin Notes on D Viola Notes on D Cello Notes on D Bass Notes on D Violin Notes on A
Viola Notes on A Cello Notes on A Meet Guide Bass Notes on G D Major Training Exercises The Lower-Tetrachord
The Major Second The Major Third The Perfect Fourth The Upper-Tetrachord The Perfect Fifth The Major Sixth
The Major Seventh The Perfect Octave The Complete D Major Scale Left Thumb Logic Left Thumb Flexible Location
Knuckle Leverage D Major Etudes Arpeggio Patterns D Major Mastery Checkpoint Extending the Instrument’s Range
Finger Location Terms Violin Notes on G Viola Notes on G Cello Notes on G Bass Notes on E Bass Notes on A
Viola Notes on C Cello Notes on C Violin Notes on E Third Position Principles Violin Third Position on E
Third Position Measurement Differences D Major Harmony Interval Categories Orchestra Harmony in D Major
Preparing for Orchestra Pieces Divisi Protocol Orchestra Chord Textures Ensemble Engine Technique Building
Practice Coins Violin Technique Builder Viola Technique Builder Cello Technique Builder Bass Technique Builder
Dynamic March Theme and Variations Bowing Dynamics Dynamic March Performance Details Linked Bowing Exercise
Off-Beats Exercise Neighbor Notes Complete Dynamic March Composition Score and Parts
Finger Intensity Hand Position Principles Hand Position Rhymes Space at the Base Swell the Well Swing the Wing
Hand Position Set-Up Violin Notes on D Viola Notes on D Cello Notes on D Bass Notes on D Violin Notes on A
Viola Notes on A Cello Notes on A Meet Guide Bass Notes on G D Major Training Exercises The Lower-Tetrachord
The Major Second The Major Third The Perfect Fourth The Upper-Tetrachord The Perfect Fifth The Major Sixth
The Major Seventh The Perfect Octave The Complete D Major Scale Left Thumb Logic Left Thumb Flexible Location
Knuckle Leverage D Major Etudes Arpeggio Patterns D Major Mastery Checkpoint Extending the Instrument’s Range
Finger Location Terms Violin Notes on G Viola Notes on G Cello Notes on G Bass Notes on E Bass Notes on A
Viola Notes on C Cello Notes on C Violin Notes on E Third Position Principles Violin Third Position on E
Third Position Measurement Differences D Major Harmony Interval Categories Orchestra Harmony in D Major
Preparing for Orchestra Pieces Divisi Protocol Orchestra Chord Textures Ensemble Engine Technique Building
Practice Coins Violin Technique Builder Viola Technique Builder Cello Technique Builder Bass Technique Builder
Dynamic March Theme and Variations Bowing Dynamics Dynamic March Performance Details Linked Bowing Exercise
Off-Beats Exercise Neighbor Notes Complete Dynamic March Composition Score and Parts