BOWING DYNAMICS
String Lanes Review
Performing near the frog at the Lower Bow-Segment, Sounds Louder.
Performing near the tip at the Upper Bow-Segment, Sounds Softer.
In addition to the String Lane and the Bow-Segment you are bowing, applying more leveraged weight onto the strings increases the volume.
Composers use dynamic word instructions to designate which parts are not just to be played at a specific dynamic, but also to clearly label the section as the primary melody.
The Italian word Soli, which is plural for solo, means the section is the featured music part.
Soli passages are performed as the main melody. Solo, means just one player performs the passage.
When performing your instrument’s part, blend with your section and observe all dynamic instructions. Whether the music is loud or soft, follow the conductor’s direction, remain steady and listen actively.
Rehearse your instrument’s part individually and practice creating dynamic contrast by applying excellent bowing technique.
Dynamic March details ahead.
D Major Home Instrument Tapes Finger Mechanics Finger Numbering Finger Dexterity Finger Position
Finger Intensity Hand Position Principles Hand Position Rhymes Space at the Base Swell the Well Swing the Wing
Hand Position Set-Up Violin Notes on D Viola Notes on D Cello Notes on D Bass Notes on D Violin Notes on A
Viola Notes on A Cello Notes on A Meet Guide Bass Notes on G D Major Training Exercises The Lower-Tetrachord
The Major Second The Major Third The Perfect Fourth The Upper-Tetrachord The Perfect Fifth The Major Sixth
The Major Seventh The Perfect Octave The Complete D Major Scale Left Thumb Logic Left Thumb Flexible Location
Knuckle Leverage D Major Etudes Arpeggio Patterns D Major Mastery Checkpoint Extending the Instrument’s Range
Finger Location Terms Violin Notes on G Viola Notes on G Cello Notes on G Bass Notes on E Bass Notes on A
Viola Notes on C Cello Notes on C Violin Notes on E Third Position Principles Violin Third Position on E
Third Position Measurement Differences D Major Harmony Interval Categories Orchestra Harmony in D Major
Preparing for Orchestra Pieces Divisi Protocol Orchestra Chord Textures Ensemble Engine Technique Building
Practice Coins Violin Technique Builder Viola Technique Builder Cello Technique Builder Bass Technique Builder
Dynamic March Theme and Variations Bowing Dynamics Dynamic March Performance Details Linked Bowing Exercise
Off-Beats Exercise Neighbor Notes Complete Dynamic March Composition Score and Parts
Finger Intensity Hand Position Principles Hand Position Rhymes Space at the Base Swell the Well Swing the Wing
Hand Position Set-Up Violin Notes on D Viola Notes on D Cello Notes on D Bass Notes on D Violin Notes on A
Viola Notes on A Cello Notes on A Meet Guide Bass Notes on G D Major Training Exercises The Lower-Tetrachord
The Major Second The Major Third The Perfect Fourth The Upper-Tetrachord The Perfect Fifth The Major Sixth
The Major Seventh The Perfect Octave The Complete D Major Scale Left Thumb Logic Left Thumb Flexible Location
Knuckle Leverage D Major Etudes Arpeggio Patterns D Major Mastery Checkpoint Extending the Instrument’s Range
Finger Location Terms Violin Notes on G Viola Notes on G Cello Notes on G Bass Notes on E Bass Notes on A
Viola Notes on C Cello Notes on C Violin Notes on E Third Position Principles Violin Third Position on E
Third Position Measurement Differences D Major Harmony Interval Categories Orchestra Harmony in D Major
Preparing for Orchestra Pieces Divisi Protocol Orchestra Chord Textures Ensemble Engine Technique Building
Practice Coins Violin Technique Builder Viola Technique Builder Cello Technique Builder Bass Technique Builder
Dynamic March Theme and Variations Bowing Dynamics Dynamic March Performance Details Linked Bowing Exercise
Off-Beats Exercise Neighbor Notes Complete Dynamic March Composition Score and Parts